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Nature As Material Pigments are sourced from stone, soil, and botanical matter. Surfaces are built through pressure, time, and material instability. The work does not represent nature. It emerges from it.

MANUALIS PAPER MILL RESIDENCY, FABRIANO, ITALY

The residency marked a deepened engagement with material rather than a shift in direction. Rooted in traditional papermaking, the practice evolved to integrate pigment directly into the pulp, allowing colour to become intrinsic to the structure itself. 


Guided by natural forces such as water, gravity, and fibre, each work emerged as a unique, unrepeatable form, where process replaced control, and material became both medium and presence. 

Next - Venice Biennale 2026 @Palazzo Mora

Next - Venice Biennale 2026 @Palazzo Mora

Next - Venice Biennale 2026 @Palazzo Mora

Next - Venice Biennale 2026 @Palazzo Mora

Next - Venice Biennale 2026 @Palazzo Mora

Next - Venice Biennale 2026 @Palazzo Mora

ARTWORKS

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Abstract

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Portrait

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Prints

What they Say About Mixa Painting

I love Mixa’s work because when I see them I am reminded of her - her smile, her energy and her warmth. Having a Mixa piece is like having her there with you brightening your home.

David Walsh – London, Uk

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Through her use of natural materials I always feel her biggest priority is to be in harmony with Mother Earth and to protect it in any way she can. I always feel she works very hard not to hurt it which, of course, underlines her emphasis on the environment and sustainability. 

Fiona Captur – Malta


I call her work Gesamtkunstwerk[s] or total works of beauty with each piece as testimony to a masterful artistic synthesis of intellect, spirit, emotion, wonderment and joy. This is Mixa.

Kathleen Vella– Malta.

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For curatorial enquiries, acquisitions, and collaborations

michelle.gialanze@gmail.com

@mixa_paintings_/

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